Difference between revisions of "Cadenza for Xylophone"
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== General Info == | == General Info == | ||
| − | '''Year''': <br /--> | + | '''Year''': 1987<br /--> |
| − | '''Duration''': c. | + | '''Duration''': c. 2:00<br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': [[G&L]]<br /--> | '''Publisher''': [[G&L]]<br /--> | ||
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== Instrumentation == | == Instrumentation == | ||
| − | [[Marimba]] <br> | + | [[Marimba]] or [[Xylophone]] <br> |
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== Program Notes == | == Program Notes == | ||
| − | + | I wrote this to play in the middle of Dinicu-Heifetz's "Hora Staccato," that marimba players like to do from the violin part. Year of composition was 1967 in Cambridge, Ohio, for a performance with the Muskingum College Concert Band, Peter Salter, conductor, Charles Joseph, chairman of the music department. Most recently I played it solo on xylophone at Amherst High School in central Wisconsin, USA, George Bures, band director and Karen Dunn, choral director. A copy was purchased by the United States Marine Band in Washington, District of Columbia, and it should work well with that arrangement. I have played it at the University of Arkansas, at the University of Colorado, at the University of Wisconsin - Stevens Point, with the Stevens Point City Band, and with the Riverview High School Band in Warsaw, Ohio, Tom Allen, director, and Donald B. Nixon, principal. I also played it with the Gillett High School Band in Wisconsin, borrowing a marimba for a day from Vicki Peterson Jenks. The late Howard S. Max helped me first copy it at Cambridge, Ohio, Junior High School where I have taught music and biology. | |
== Errata == | == Errata == | ||
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<br /> | <br /> | ||
| − | [[Category: | + | [[Category:Solo Works]] |
| + | [[Category:Mallets Works]] | ||
| + | [[Category:Marimba Works]] | ||
| + | [[Category:Xylophone Works]] | ||
Latest revision as of 02:52, 2 July 2018
General Info
Year: 1987
Duration: c. 2:00
Difficulty: (see Ratings for explanation)
Publisher: G&L
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Program Notes
I wrote this to play in the middle of Dinicu-Heifetz's "Hora Staccato," that marimba players like to do from the violin part. Year of composition was 1967 in Cambridge, Ohio, for a performance with the Muskingum College Concert Band, Peter Salter, conductor, Charles Joseph, chairman of the music department. Most recently I played it solo on xylophone at Amherst High School in central Wisconsin, USA, George Bures, band director and Karen Dunn, choral director. A copy was purchased by the United States Marine Band in Washington, District of Columbia, and it should work well with that arrangement. I have played it at the University of Arkansas, at the University of Colorado, at the University of Wisconsin - Stevens Point, with the Stevens Point City Band, and with the Riverview High School Band in Warsaw, Ohio, Tom Allen, director, and Donald B. Nixon, principal. I also played it with the Gillett High School Band in Wisconsin, borrowing a marimba for a day from Vicki Peterson Jenks. The late Howard S. Max helped me first copy it at Cambridge, Ohio, Junior High School where I have taught music and biology.
Errata
Awards
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
A Musical Joke-composition for a car - Multiple Percussion; one car, with horn
A Musical Joke-composition for a car (Duo) - Percussion Duo; one car, with horn
A Song of Moses - Percussion Quartet; Reader
Adagio with Accompaniment - Hand drum; Violin
Aeolian - Vibraphone
Andante - Marimba
Ballad for Angklung Choir and Organ - Percussion Nonet; Organ
Ballad for JB - Mallets
Ballad for JB (Duo) - Percussion Duo
Ballad for Joey (Marimba) - Marimba
Ballad for Joey (Vibraphone) - Vibraphone
Boston - Marimba; Violin
Cadenza for Xylophone - Xylophone; Marimba
Chamber Symphony for Percussion - Percussion Trio
Chorale with Variations - Percussion Quartet; Marimba Quartet
Composition for Snare Drum - Snare Drum
Composition No. 2 for Snare Drum - Snare Drum
Composition No. 3 for Snare Drum - Snare Drum
Dance in Time - Vibraphone
Drum Cadence No. 1 - Percussion Duo
Duo Sonata (Larrick) - Multiple Percussion; Trombone
Ecclesiasticus - Marimba
Elegie - Marimba
Elegy and Meditation - Marimba
Episode (Larrick) - Vibraphone
Etude for JB - Percussion Solo, Duo or Trio (Three Sets of Wind Chimes)
Everything's Up to Date in Junction City - Marimba
Exclamation! - Multiple Percussion; Cello; Reader
February - Marimba
Flute Piece - Marimba
Hymn without Words - Marimba
Improvisational Suite - Multiple Percussion; Indeterminate Instrumentation
Jingle by Sulina Larrick - Marimba
Lyric Piece - Mallets; Recorder
March for Drumline - Percussion Quintet
Marie - Marimba
Melody for Abraham Lincoln - Multiple Percussion; Oboe
My Lydia - Vibraphone
Ode to a Menominee - Percussion Quartet; Flute
Piece for Flute and Drums - Multiple Percussion; Flute
Piece No. 2 - Multiple Percussion; Flute
Poem with Accompaniment - Timpani; Viola
Quintet for Drum Line - Percussion Quintet
Quintet for Trumpets and Timpani - Timpani; Trumpets (4)
Rag's Rag - Marimba
Repertory List II - Multiple Percussion; Reader
Romantic Etude - Marimba
Rondo Etude - Marimba
Scott's Tune - Marimba
Sonata for Bass Drum - Bass Drum
Sonata for Trombone and Percussion - Multiple Percussion; Trombone
Sonata No. 7 - Timpani
Sonata No. 8 - Marimba
Sonatina for Percussion - Multiple Percussion (Three Triangles)
The Story of Punkin Person - Multiple Percussion; Brass Quintet
The Temple Garden - Glockenspiel; Piano
The Three Daughters - Percussion Quintet
Trio for Tambourines - Percussion Trio
Trio Sonata - Percussion Trio
Two Jazz - Vibraphone; Trumpet
Variations on - Vibraphone
Variations on Handel's - Vibraphone
Vivo Duo - Vibraphone; Trumpet
Waiting and Accompaniment - Marimba; Cello
Additional Resources
References