Unintended Consequence

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Josh Gottry

General Info

Year: 2021
Publisher: C. Alan Publications
Level: Advanced
Duration: 00:09:10
Cost: $50.00

Overview

Unintended Consequence starts with a simple, four-note motive and proceeds to take the listener on several twists and turns. This exciting work is perfect for an advanced high school or college ensemble concert.

Instrumentation

Player 1: Glockenspiel
Player 2: Chimes & 2-octave Crotales
Player 3: Vibraphone
Player 4: Vibraphone
Player 5: 4-octave Marimba
Player 6: 5-octave Marimba
Player 7: 4 Timpani
Player 8: China Cymbal & Hi-Hat & Snare Drum & Impact Drum
Player 9: 4 Concert Tom-Toms
Player 10: Triangle & Shaker & Brake Drum & Tam-Tam

Program Notes

Unintended Consequence starts with a simple, four-note motive — B, D, E, F — repeated several times before extending to a fifth pitch, a return to B. This motive fails to clarify any specific intent or resolution and thus lays the foundation for this work that explores multiple tangents, or “consequences,” that can be derived from the ambiguous but aggressive opening. A hint at one of these tangents appears just 15 measures into the piece, as the key shifts suddenly to C minor (or perhaps E-flat major). After only flirting attempts at melodic material, the ostinato gives way shortly to a return to the opening ensemble figures. Taking a different turn as to where that simple motive might lead, the ensemble fades suddenly into a haunting melody set in a much slower 3/4 time and voiced in the crotales. Increasing gradually in complexity and layers of sound, the melody finally resolves to an A minor “tonic” chord, but only momentarily as a the faster tempo resumes and draws the ensemble quickly back into the C minor/E-flat major passage, this time complete with a dance-like melody laid over a pseudo-blues progression. As the keyboard instruments taper away, the drums and cymbals take over for a brief interlude before leading the listener back into the A minor melody, this time starting with a full ensemble texture and gradually thinning to just the four metallic keyboards on a sustained dominant harmony. The timpani player enters softly on the temporary A minor tonic before a reprise of the opening ensemble passage, a single phrase of the minor melody, and a return of the original rhythmic ostinato, this time however solidly resolving the work in A minor and fading away to silence.

Works for Percussion by this composer

Solo Works

Solo Works with Orchestra

Solo Works with Wind Ensemble

Solo Works with Percussion Ensemble

Percussion Ensemble

DUETS

TRIOS

QUARTETS

QUINTETS

MEDIUM ENSEMBLE

LARGE ENSEMBLE

Reference