Babylon

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David Gillingham

General Info

Year of Published: 2019
Publisher: C. Alan Publications
Difficulty: Advanced
Duration: 00:08:50
Cost: $75.00

Instrumentation

Player 1: Crotales (shared) & Xylophone
Player 2: Glockenspiel & Xylophone
Player 3: Vibraphone
Player 4: Vibraphone
Player 5: Marimba
Player 6: Marimba
Player 7: Marimba
Player 8: Marimba
Player 9: 5 Tibetan Prayer Bowls & Chimes & Crotales (shared) & [[Suspended Cymbal (shared)
Player 10: Rainstick & Suspended Cymbal(shared) & Crash Cymbals(shared) & 2 Brake Drums (shared) & Snare Drum (shared)
Player 11: Tam-Tam & Crash Cymbal (shared) & 2 Brake Drums (shared) & 5 Concert Tom-toms (shared) & Bongos & Suspended Cymbal (shared)
Player 12: Bass Drum & Wind Chimes & 2 Congas & Hi-Hat & 5 Concert Tom-toms (shared)
Player 13: Timpani
Player 14: Piano

Program Notes

Babylon was commissioned by the Texas Christian University Percussion Orchestra, Brian West, conductor. The piece is programmatic and is inspired by the story of “The Tower of Babel” from the chapter of Genesis of the Bible:

Genesis 11:1-9 Now the whole world had one language and a common speech. As people moved eastward, they found a plain in Shinar and settled there. They said to each other, “Come, let’s make bricks and bake them thoroughly.” They used brick instead of stone, and tar for mortar. Then they said, “Come, let us build ourselves a city, with a tower that reaches to the heavens, so that we may make a name for ourselves; otherwise we will be scattered over the face of the whole earth.” But the Lord came down to see the city and the tower the people were building. The Lord said, “If as one people speaking the same language they have begun to do this, then nothing they plan to do will be impossible for them. Come, let us go down and confuse their language so they will not understand each other.” So the Lord scattered them from there over all the earth, and they stopped building the city. That is why it was called Babel - because there the Lord confused the language of the whole world. From there the Lord scattered them over the face of the whole earth.

The piece is divided into three sections that follow the story, Land of Shinar, Tower to Heaven, and Confusion of Language, each with its own theme. The Land of Shinar theme is built upon a sequence of chromatic mediant chordal progressions. Tower to Heaven features a rising theme using mostly rising fourth/descending fifth chord progressions. Confusion of Language is a 12-tone row and the section features difference variants of the row (inversion, retrograde, retrograde inversion) and different permutations to emulate the confusion of languages.

The Tower to Heaven theme cycles throughout the whole work. Deviating somewhat from the original story of Babylon, the “tower theme” emerges from the Confusion of Language section as a reminder of the infamous structure built by the people of Shinar before they were scattered throughout the earth. The piece ends as mystically and quietly as it began.


Recent Performance

Works for Percussion by this Composer

Angels of the Apocalypse - Percussion Octet
Babylon - Percussion Ensemble
Concertino (Gillingham) - Percussion Quartet; Wind Ensemble
Concerto for Percussion Ensemble (Gillingham) - Percussion Ensemble (13); Piano
Concerto No. 1 for Marimba (Gillingham)
Concerto No. 2 for Marimba (Gillingham)
Concerto for Piano and Percussion Orchestra - Percussion Ensemble
Dance of Redemption - Marimba
Five Fantasies of Natural Origin - Marimba; Flute
Gate to Heaven: Journey of the Soul - Marimba; Percussion Octet
Liturgical Music - Percussion 13
Normandy Beach 1944 - Percussion Sextet
Paschal Dances - Percussion Ensemble (12); Piano
Point of Reckoning - Percussion Nonet
Quintessence (Gillingham) - Multiple Percussion; Brass Quintet; Wind Ensemble
Return to Innocence - Percussion Septet; Choir
Sacrificial Rite - Percussion Quintet
Spiritual Dances - Percussion Quartet; Oboe (Clarinet)
Stained Glass - Percussion Ensemble (11); Piano
Supercell - Percussion Ensemble; Alto Saxophone; Piano
Triplex - Percussion Sextet; Brass Ensemble
Whirlwind - Percussion Octet

Reference