Difference between revisions of "ABRSM Grade 1 Orchestral Percussion"

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==Technical Requirements==
 
==Technical Requirements==
 
One of the following options, chosen by the candidate
 
One of the following options, chosen by the candidate
{| class="wikitable" style="margin:auto"
+
=== Snare Drum ===
|-
+
Studies are important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to develop tone, pulse and dynamic control, and familiarity with rudimental patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing - from a score or from memory, as a solo musician or with others. <br/>
! Instrument !! List !! Publications !! Memory !! Notes !! Video Performance !!
+
'''About the test''': Candidates prepare two studies at each grade and examiners will request which one is to be played in the exam. Each Study is based on a set of rudiments; these are listed on the sheet music. <br/>
|-
+
'''Instrument''': The test must be played with the snares on <br/>
| [[Snare Drum]] || Study A <br/> Study B <br/> || || Nil || Studies are in important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to develop tone, pulse and dynamic control, and familiarity with rudimental patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing - from a score or from memory, as a solo musician or with others. || <embedvideo service="youtube"> https://www.youtube.com/watch?v=rBTK2e_p2Ps </embedvideo> <embedvideo service="youtube"> https://www.youtube.com/watch?v=IEjWrTfROi0 </embedvideo>
+
'''Publications''': [[Percussion Exam Pieces & Studies, ABRSM Grade 2]] <br/>
|-
+
'''Content''': Study A & Study B <br/>
| [[Timpani]] || Study A <br/> Study B <br/> || || Nil || Studies are in important way to develop technical skills such as fluency, balance between hands, moving between drums, retuning / pedaling and articulation. They also help to develop tone, pulse, dynamic control and interval awareness. This leads to greater confidence and security when sight-reading, learning new pieces and performing - from a score or from memory, as a solo musician or with others. || <embedvideo service="youtube"> https://www.youtube.com/watch?v=6mD4byHfX3Y </embedvideo> <embedvideo service="youtube"> https://www.youtube.com/watch?v=y49QAMlw6Yk </embedvideo>
+
'''Memory''': There is no requirement to play the Study from memory. <br/>
|-
+
'''Sticking''': Candidates may use any sticking that produces a successful musical outcome. <br/>
| [[Keyboard Percussion]] || C / F / G Major Scales and Arpeggios (One Octave) <br/> A / D / E Minor Scales and Arpeggios (One Octave) <br/>|| [[Percussion Scales & Arpeggios, ABRSM Grades 1-5]] || All requirements should be played from memory. || Playing scales and arpeggios is important for building strong technical skills such as reliable hand movement and position, co-ordination and fluency. It also helps to develop pitch and interval awareness, and familiarity with keys and their related patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing- from a score or from memory, as a solo musician or with others. || <embedvideo service="youtube"> https://www.youtube.com/watch?v=dgTW35Dqay0 </embedvideo>
+
'''Demonstration Video''': <embedvideo service="youtube"> https://www.youtube.com/watch?v=rBTK2e_p2Ps </embedvideo> <embedvideo service="youtube"> https://www.youtube.com/watch?v=IEjWrTfROi0 </embedvideo>
|}
+
=== Timpani ===
 +
Studies are important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to develop tone, pulse and dynamic control, and familiarity with rudimental patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing - from a score or from memory, as a solo musician or with others. <br/>
 +
'''About the test''': Candidates prepare two studies at each grade and examiners will request which one is to be played in the exam. Each Study is based on a set of rudiments; these are listed on the sheet music. <br/>
 +
'''Instrument''': The test must be played with the snares on <br/>
 +
'''Publications''': [[Percussion Exam Pieces & Studies, ABRSM Grade 2]] <br/>
 +
'''Content''': Study A & Study B <br/>
 +
'''Memory''': There is no requirement to play the Study from memory. <br/>
 +
'''Sticking''': Candidates may use any sticking that produces a successful musical outcome. <br/>
 +
'''Demonstration Video''':<embedvideo service="youtube"> https://www.youtube.com/watch?v=6mD4byHfX3Y </embedvideo> <embedvideo service="youtube"> https://www.youtube.com/watch?v=y49QAMlw6Yk </embedvideo>
 +
=== Keyboard Percussion ===
 +
Playing scales and arpeggios is important for building strong technical skills such as reliable hand movement and position, co-ordination and fluency. It also helps to develop pitch and interval awareness, and familiarity with keys and their related patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing- from a score or from memory, as a solo musician or with others. <br/>
 +
'''Memory''': All requirements should be played from memory. <br/>
 +
'''Ranges''': Candidates are free to start at any octave, provided the required ranges are covered.<br/>
 +
'''Patterns''': Arpeggios and Dominant Sevenths are required in root position only.<br/>
 +
'''Instruments''': Requirements may be played on [[Glockenspiel]] / [[Xylophone]] / [[Vibraphone]] / [[Marimba]]. Scales played on the [[vibraphone]] should be played without pedal. <br/>
 +
'''Scales''': C / F / G Major (One Octave) and A / D / E Minor (One Octave)<br/>
 +
'''Arpeggios''': C / F / G Major (One Octave) and A / D / E Minor (One Octave)<br/>
 +
'''Sticking''': All requirements should be played by hand to hand. Candidates may lead with either hand.<br/>
 +
'''Supporting Publications''':  [[Percussion Scales & Arpeggios, ABRSM Grades 1-5]]<br/>
 +
Demonstration Video: <embedvideo service="youtube"> https://www.youtube.com/watch?v=dgTW35Dqay0 </embedvideo>
  
 
== Sight Reading ==
 
== Sight Reading ==

Revision as of 23:18, 17 August 2022

General Info

Candidates taking a Percussion (Combined) exam are required to:

Snare Drum Song List

Item Works Composer Publication Publisher Video Performance
1 Tandem Kevin Hathway Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
2 Step 'n' March William Edwards Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
3 Mind the Gap Jan Bradley Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
4 Madison March David Hext Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
5 Journeying Home from the Hills Zara Nunn Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
6 Three and Easy?! Keith Bartlett 50 Short Pieces For Snare Drum United Music Publishing
7 Fanfarette Peter Birkby Dozens of Duets for Drums (Book 3) Peter Birkby Publishing
8 Chicken and Chips Richard Charles Beat This! Southern Percussion
9 Charlie's Caterpillar Jan Faulkner Simply Seven Southern Percussion
10 Just a Little Bit Edward Freytag Just Desserts Row-Loff Productions

Timpani Song List

Item Works Composer Publication Publisher Video Performance
1 March Simon Archer Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
2 Ceremonial Cameron Sinclair Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
3 Yeti Dance Andrea Vogler Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
4 Tumbledown Mountain David Hext Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
5 Baroque Notes Ian Wright Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
6 Alpenstock Carol Barratt Bravo! Percussion (Book 1) Boosey & Hawkes
7 Majestic March Matthew Hardy Concert and Audition Pieces for the Young Percussionist Southern Percussion
8 Etude No. 8 Richard Hochrainer Etudes for Timpani (Volume 1) Doblinger
9 Exercise No.3 in C Heinrich Knauer 85 Exercises for Timpani Hofmeister
10 Gilda's Party Andrea Vogler Gilda's party Southern Percussion

Keyboard Percussion Song List

Item Works Composer Publication Publisher Video Performance
1 Tightrope Tricks Lizzie Davis Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
2 Smooov Alex Neal Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
3 Tiptoe on the Ice Zare Nunn Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
4 Morning Sunlight Arthur Lipner Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
5 The Soldier's Return Andrew Smith Percussion Exam Pieces & Studies, ABRSM Grade 1 Associated Board of the Royal Schools of Music
6 Dona nobis pacem Traditional Modern School for Mallet-Keyboard Instruments Hal Leonard
7 Clocking On Peter Birkby Dozens of Duets for Keyboard Percussion (Book 1) Peter Birkby Publishing
8 Crazy Cowboy Jan Faulkner Simply Seven Southern Percussion
9 Polka Nebojša Jovan Živkovic My First Book for Xylophone and Marimba Gretel Verlag
10 Walzer Nebojša Jovan Živkovic My First Book for Xylophone and Marimba Gretel Verlag

Technical Requirements

One of the following options, chosen by the candidate

Snare Drum

Studies are important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to develop tone, pulse and dynamic control, and familiarity with rudimental patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing - from a score or from memory, as a solo musician or with others.
About the test: Candidates prepare two studies at each grade and examiners will request which one is to be played in the exam. Each Study is based on a set of rudiments; these are listed on the sheet music.
Instrument: The test must be played with the snares on
Publications: Percussion Exam Pieces & Studies, ABRSM Grade 2
Content: Study A & Study B
Memory: There is no requirement to play the Study from memory.
Sticking: Candidates may use any sticking that produces a successful musical outcome.

Demonstration Video:

Timpani

Studies are important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to develop tone, pulse and dynamic control, and familiarity with rudimental patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing - from a score or from memory, as a solo musician or with others.
About the test: Candidates prepare two studies at each grade and examiners will request which one is to be played in the exam. Each Study is based on a set of rudiments; these are listed on the sheet music.
Instrument: The test must be played with the snares on
Publications: Percussion Exam Pieces & Studies, ABRSM Grade 2
Content: Study A & Study B
Memory: There is no requirement to play the Study from memory.
Sticking: Candidates may use any sticking that produces a successful musical outcome.

Demonstration Video:

Keyboard Percussion

Playing scales and arpeggios is important for building strong technical skills such as reliable hand movement and position, co-ordination and fluency. It also helps to develop pitch and interval awareness, and familiarity with keys and their related patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing- from a score or from memory, as a solo musician or with others.
Memory: All requirements should be played from memory.
Ranges: Candidates are free to start at any octave, provided the required ranges are covered.
Patterns: Arpeggios and Dominant Sevenths are required in root position only.
Instruments: Requirements may be played on Glockenspiel / Xylophone / Vibraphone / Marimba. Scales played on the vibraphone should be played without pedal.
Scales: C / F / G Major (One Octave) and A / D / E Minor (One Octave)
Arpeggios: C / F / G Major (One Octave) and A / D / E Minor (One Octave)
Sticking: All requirements should be played by hand to hand. Candidates may lead with either hand.
Supporting Publications: Percussion Scales & Arpeggios, ABRSM Grades 1-5

Demonstration Video:

Sight Reading

Sight-reading is a valuable skill with many benefits. Learning to sight-read helps to develop quick recognition of common rhythm patterns and tonality. Strong Sight-reading skills make learning new pieces quicker and easier, and also help when making music with others, so that playing in an ensemble becomes more rewarding and enjoyable.

About the Test

Candidates will be asked to play a short unaccompanied piece of music which they have not seen before. They will be giving half a minute to look through and, if they wish, try out all or any part of the test before they are asked to play it for assessment.

Supporting Publications

For practice purposes, sample Sight-reading tests are published by Associated Board of the Royal Schools of Music in Percussion Sight-Reading Grades 1-5. Purchasing the book is not a requirement.

Reference