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<nowiki>[[</nowiki>Category:Percussion Quintet Works]]<br> <nowiki>[[</nowiki>Category:Mallet Duo Works]]<br>

...an ensemble context for the study and performance of these developmental 4-mallet solos. Each percussion ensemble setting in this collection is scored for fi ...an ensemble context for the study and performance of these developmental 4-mallet solos. Each percussion ensemble setting in this collection is scored for fi

...by Stephen Primatic of the third movement from Schubert’s well-known piano quintet. Lively and joyful, the piece demands great dynamic control from all member ...on. The first option, and my preferred medium, is performing the work as a mallet ensemble. Only requiring two mallets, this is a great opportunity to stress

<nowiki>[[</nowiki>Category:Percussion Quintet]]<br> <nowiki>[[</nowiki>Category:Electronic Mallet Controllers]]<br>

...n performers and interlocking rhythms throughout the composition make this quintet a fun challenge for performers. This piece was written in 2019 for the Roge ...arts. Michael Huestis’ performance notes helpfully describe instrument and mallet/stick logistics in detail for each player. Huestis also suggests that “Ha

...tioned above are the only technical considerations. The other parts of the quintet will pose no problem for a talented high school group. If you work with a h [[Category: Percussion Quintet Works]]

...ion, which concerns the use of hand vibrato technique on the glockenspiel, mallet selection for the first marimba, instructions for playing suspended cymbal [[Category:Percussion Quintet Works]]

[[Category: Percussion Quintet]] [[Category: Mallet Trio]]

===Mallet Ensembles=== [[Category:Percussion Quintet Works]]

[[Category: Mallet Ensemble]] [[Category: Mallet Duo]]

[[nomen solers, a marimba quintet]] - [[Percussion Quintet]]<br /> [[Category:Percussion Quintet Works]]

Player I - V: Mallet Quintet<br> GREEN HILL, for marimba quintet with string bass, was apparently first published in 1958 and revised for th

...rformed unconducted without difficulty. The composer is very specific with mallet indications. - Michael Hooley<ref>http://www.pas.org/resources/research/res [[Category:Percussion Quintet Works]]

[[Category: Mallet Ensemble Works]] [[Category: Percussion Quintet Works]]

...chestrated by the composer one year later. This arrangement for percussion quintet draws upon the colours and textures Ravel used in his orchestral version. T [[Category: Mallet Ensemble Works]]

A fun keyboard percussion quintet that is great for undergraduate ensembles. Various/hyper-tonal scale patter [[Category: Mallet Ensemble Works]]

...by Stephen Primatic of the third movement from Schubert’s well-known piano quintet. Lively and joyful, the piece demands great dynamic control from all member ...on. The first option, and my preferred medium, is performing the work as a mallet ensemble. Only requiring two mallets, this is a great opportunity to stress

...ormed in a variety of player configurations: as a “non-pitched” quintet, a mallet septet, or full ensemble. Directors can freely double mallet or snare parts to accommodate different group sizes, making it an excellent

...ires some three-mallet techniques and xylophone and player 3 has some four-mallet marimba pasages. This is a grade 4 solo and is highly recommended for the s [[Category:Percussion Quintet Works]]

[[Category: Percussion Quintet]] [[Category: Mallet Duo]]