Difference between revisions of "Concerto for Solo Percussion & Wind Symphony"

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== General Info ==
 
== General Info ==
  
'''Year''': 197 <br /-->
+
'''Year''': 2001<br /-->
'''Duration''':  c. :00 <br /-->
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'''Duration''':  c. 15:00 <br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Publisher''': [[HaMaR]]<br /-->
+
'''Publisher''': [[Manuscript]]<br /-->
'''Cost''': Score and Parts - $0.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
+
'''Cost''': Score and Parts - Available from Composer &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
  
 
==Movements==
 
==Movements==
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[[Multiple Percussion]]: <br>
 
[[Multiple Percussion]]: <br>
  
Player I: <br>
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[[Wind Ensemble]]: Scored for Piccolo, Flutes 1, 2, 3; Oboes 1, 2, English Horn; Soprano Clarinet (Eb), Clarinets 1, 2, 3 (Bb), Bass Clarinet (Bb); Bassoons 1, 2, Contra Bassoon; Alto Saxophones 1, 2, Tenor Saxophone, Baritone Saxophone; Trumpets 1, 2, 3 (Bb); Horns 1, 2, 3, 4 (F); Trombones 1, 2, Bass Trombone; Euphonium, Tuba; Percussion Solo. The ensemble may consist of one player per part, with the exception of clarinets and bass clarinets where a minimum of two players per part is required.<br>
Player II: <br>
 
Player III: <br>
 
Player IV: <br>
 
Player V: <br>
 
Player VI: <br>
 
 
 
[[Clarinet]]<br>
 
  
 
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== Program Notes ==
 
== Program Notes ==
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As I composed the concerto, I envisaged a lone percussionist, center stage, surrounded by three dozen wind instruments.  The ideas flowed generously.
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 +
The timpani form a timbral home base for the concerto.  The character of each movement is determined largely by its featured mallet instrument: in the first, it’s the vibraphone; in the second, the marimba; and in the third, xylophone.
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 +
The first movement is savage – wild and relentless. The storm is calmed in the second movement where the rich, deep tones of the concert grand marimba carry on a dialogue with small groupings of woodwind instruments.  Despite the quietude, the atmosphere is colored by an underlying edginess.  All tensions are dispelled in the spirited, somewhat raucous, finale.<ref>http://jerehutcheson.com/works.php#</ref>
  
  
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==Recent Performances==
 
==Recent Performances==
 +
The long-awaited premiere occurred on September 20, 2011, with the phenomenal Gwen Burgett Thrasher as soloist and the Michigan State University Wind Symphony conducted by Kevin Sedatole .
 +
  
 
{{performances}}
 
{{performances}}

Latest revision as of 11:46, 11 September 2013

Jere Hutcheson


General Info

Year: 2001
Duration: c. 15:00
Difficulty: (see Ratings for explanation)
Publisher: Manuscript
Cost: Score and Parts - Available from Composer   |   Score Only - $0.00

Movements

Instrumentation

Multiple Percussion:

Wind Ensemble: Scored for Piccolo, Flutes 1, 2, 3; Oboes 1, 2, English Horn; Soprano Clarinet (Eb), Clarinets 1, 2, 3 (Bb), Bass Clarinet (Bb); Bassoons 1, 2, Contra Bassoon; Alto Saxophones 1, 2, Tenor Saxophone, Baritone Saxophone; Trumpets 1, 2, 3 (Bb); Horns 1, 2, 3, 4 (F); Trombones 1, 2, Bass Trombone; Euphonium, Tuba; Percussion Solo. The ensemble may consist of one player per part, with the exception of clarinets and bass clarinets where a minimum of two players per part is required.


Program Notes

As I composed the concerto, I envisaged a lone percussionist, center stage, surrounded by three dozen wind instruments. The ideas flowed generously.

The timpani form a timbral home base for the concerto. The character of each movement is determined largely by its featured mallet instrument: in the first, it’s the vibraphone; in the second, the marimba; and in the third, xylophone.

The first movement is savage – wild and relentless. The storm is calmed in the second movement where the rich, deep tones of the concert grand marimba carry on a dialogue with small groupings of woodwind instruments. Despite the quietude, the atmosphere is colored by an underlying edginess. All tensions are dispelled in the spirited, somewhat raucous, finale.[1]


Errata

Awards

Commercial Discography

Recent Performances

The long-awaited premiere occurred on September 20, 2011, with the phenomenal Gwen Burgett Thrasher as soloist and the Michigan State University Wind Symphony conducted by Kevin Sedatole .


To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

Concerto for Solo Percussion & Wind Symphony - Multiple Percussion; Wind Ensemble
Duo Sonata - Multiple Percussion; Clarinet
Interplay (Hutcheson) - Multiple Percussion; Saxophone
Nuclear Conversion for Solo Percussion - Multiple Percussion
Three Things for Dr. Seuss - Percussion Sextet; Harp


Additional Resources



References