Difference between revisions of "Becker, John J."
Jump to navigation
Jump to search
Rubyng2004 (talk | contribs) |
|||
| Line 40: | Line 40: | ||
[[Category:Percussion Quintet]] | [[Category:Percussion Quintet]] | ||
[[Category:Percussion (5)]] | [[Category:Percussion (5)]] | ||
| − | [[Category:Percussion (12 | + | [[Category:Percussion (12)]] |
[[Category:Piano]] | [[Category:Piano]] | ||
<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | ||
Revision as of 01:15, 20 June 2023
Biography
Born: January 22, 1886
Died: January 21, 1961
Country: USA
Studies: Cincinnati Cons. (1905), Wisconsin Conservatory (Doctorate 1923)
Teachers: Aexander von Fielitz, Carl Busch, Wilhelm Middelschulte
(b. Henderson, Ky., January 22, 1886; d. Wilmette, Ill., January 21, 1961) was an American composer, often grouped with Charles Ives, Carl Ruggles, Henry Cowell, and Wallingford Riegger as "The American Five" of "ultra-modern" music.[1]
Works for Percussion
Abongo – Percussion (12)
A Dance – Percussion Quintet; with Piano
References