Difference between revisions of "Xylorimba"
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== History == | == History == | ||
| − | The xylorimba is a pitched percussion instrument similar to an extended-range [[xylophone]] with a range identical to some 5-octave celestas or 5-octave [[marimbas]], though typically an octave higher than the latter. Despite its name, it is not a combination of a [[xylophone]] and a [[marimba]]; its name has been a source of confusion, as many composers have called for a 'xylorimba', including Alban Berg, Pierre Boulez and Olivier Messiaen, but for parts requiring only a four-octave [[xylophone]](Blades and Holland n.d.). However, Pierre Boulez wrote for two five-octave xylorimbas in Pli selon pli(Blades and Holland n.d.). The xylorimba experienced its greatest popularity in the 1920s and 30s, particularly within vaudeville theatre(Blades and Holland n.d.). | + | The xylorimba is a pitched percussion instrument similar to an extended-range [[xylophone]] with a range identical to some 5-octave celestas or 5-octave [[marimbas]], though typically an octave higher than the latter. Despite its name, it is not a combination of a [[xylophone]] and a [[marimba]]; its name has been a source of confusion, as many composers have called for a 'xylorimba', including [[Alban Berg]], [[Pierre Boulez]] and [[Olivier Messiaen]], but for parts requiring only a four-octave [[xylophone]](Blades and Holland n.d.). However, [[Pierre Boulez]] wrote for two five-octave xylorimbas in Pli selon pli(Blades and Holland n.d.). The xylorimba experienced its greatest popularity in the 1920s and 30s, particularly within vaudeville theatre(Blades and Holland n.d.). |
== Sticks, Mallets, Beaters == | == Sticks, Mallets, Beaters == | ||
Revision as of 23:25, 20 March 2023
Construction
The xylorimba consists of a series of wooden bars laid out like a piano keyboard "with a compass sufficiently large to embrace the low-sounding bars of the marimba and the highest-sounding bars of the xylophone." The lower notes of the xylorimba are described as sounding closer to a xylophone than a marimba, on account of its bars being both thicker and narrower, and due to the different size and shape of its resonators; the size and shape of the bars differs to emphasize different overtones(Blades and Holland n.d.).
History
The xylorimba is a pitched percussion instrument similar to an extended-range xylophone with a range identical to some 5-octave celestas or 5-octave marimbas, though typically an octave higher than the latter. Despite its name, it is not a combination of a xylophone and a marimba; its name has been a source of confusion, as many composers have called for a 'xylorimba', including Alban Berg, Pierre Boulez and Olivier Messiaen, but for parts requiring only a four-octave xylophone(Blades and Holland n.d.). However, Pierre Boulez wrote for two five-octave xylorimbas in Pli selon pli(Blades and Holland n.d.). The xylorimba experienced its greatest popularity in the 1920s and 30s, particularly within vaudeville theatre(Blades and Holland n.d.).