Difference between revisions of "Marimba Concerto (Vinao)"
(Created page with "Alejandro Vinao ==General Info== Year of Published: 1993<br/> Publisher: Vinao Publications<br/> Difficulty: Advanced<br/> Duration: 00:19:00<br/> ==Instrumentation==...") |
|||
Line 18: | Line 18: | ||
==Description== | ==Description== | ||
Alejandro Vinao's Marimba Concerto challenges both the soloist and the orchestra with a piece that is highly energetic, aggressive, and at times jarring. The soloist will be stretched mentally and physically across the keyboard, while the orchestra must be on their top rhythmic game. The [[piano]] and [[timpani]] parts are often extensions of the [[marimba]] part, and may need some extra time with the soloist to make sure everything comes out correctly. | Alejandro Vinao's Marimba Concerto challenges both the soloist and the orchestra with a piece that is highly energetic, aggressive, and at times jarring. The soloist will be stretched mentally and physically across the keyboard, while the orchestra must be on their top rhythmic game. The [[piano]] and [[timpani]] parts are often extensions of the [[marimba]] part, and may need some extra time with the soloist to make sure everything comes out correctly. | ||
+ | |||
+ | ==Recent Performance== | ||
+ | [https://www.youtube.com/watch?v=Ch9iXds4W8o performed by Kunihiko Komori with Kyoto Philharmonic Chamber Orchestra in 2004] | ||
==Works for Percussion by this Composer== | ==Works for Percussion by this Composer== |
Latest revision as of 01:31, 17 December 2021
General Info
Year of Published: 1993
Publisher: Vinao Publications
Difficulty: Advanced
Duration: 00:19:00
Instrumentation
Soloist
5.0 Octave Marimba
Orchestra
Woodwinds: 1 Flute & 1 Oboe & 1 Bb Clarinet & 1 Bb Bass Clarinet
Brass: 2 French Horns & 1 Bb Trumpet & 1 Trombone
Strings: Violin 1 (minimum 4) & Violin 2 (minimum 4) & Viola (minimum 2) & Cello (minimum 2) & Contrabass (minimum 1)
Percussion: Timpani(32", 29", 26", 23", 21")
Piano
Description
Alejandro Vinao's Marimba Concerto challenges both the soloist and the orchestra with a piece that is highly energetic, aggressive, and at times jarring. The soloist will be stretched mentally and physically across the keyboard, while the orchestra must be on their top rhythmic game. The piano and timpani parts are often extensions of the marimba part, and may need some extra time with the soloist to make sure everything comes out correctly.
Recent Performance
performed by Kunihiko Komori with Kyoto Philharmonic Chamber Orchestra in 2004
Works for Percussion by this Composer
Template:Vinao, Alejandro Works