Capture of the U-505: Difference between revisions

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[[Firstname Lastname]]
[[John Willmarth]]
 
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== General Info ==
== General Info ==
 
'''Year of Published''': 2022<br /-->
'''Year''': 20<br /-->
'''Publisher''': [[Musicon Publications]]<br /-->
'''Difficulty''': Advanced<br /-->
'''Duration''':  c. <br /-->
'''Duration''':  c. <br /-->
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Cost''': Score and Parts - $17.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
'''Publisher''': [[Title Publisher]]<br /-->
'''Cost''': Score and Parts - $0.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->




==Movements==
==Movements==
 
1. The U-boat<br /-->
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2. The Chase<br /-->
 
3. The Battle <br /-->
4. The Capture<br /-->


== Instrumentation ==
== Instrumentation ==
 
[[Timpani]]
 
 
 
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== Program Notes ==
== Program Notes ==
 
“Capture of the U-505” is a programmatic piece influenced by Wagner’s use of Leitmotif: a musical device in which a character, place, or idea is depicted through a musical theme. Throughout the work the top two drums represent the American Naval forces and the bottom drums the German U-boat, the U-505. The piece is comprised of four sections: The U-boat, The Chase, The Battle, and The Capture. The opening reveals the U-boat theme including the characteristic sound of the sonar ping. The one-handed roll technique depicts the rumble of the U-boat engines. The Chase is written in a canonic style in which one hand ‘chases’ the other. The left hand plays the bottom drums in the key of Bb while the right hand plays the top drums in the key of F. Eventually an ostinato is unveiled which rhythmically spells out the distress signal ‘S.O.S.’ in Morse code. In The Battle, small cloth bags filled with coins are placed in the center of the drumhead producing an explosion sound when the head is struck. At ‘agitato’ the performer should improvise for 10-20 seconds using, but not limited to, the given motives in a fragmented rhythmic style (devoid of an easily discernable pulse center). The texture of the improvisation should become increasingly dense throughout. The drums can be tuned to any pitch throughout this section (based on where the performer chooses to end the glissando effects) but should end with the drums in mid-range. A 4-line staff is also used to represent the four drums rather that delineate a specific pitch set. This section should depict the chaos, aggression, and ferocity of battle. An elongated glissando up the drums is used to portray the U-boat surfacing thus ending the battle (this phrase should be performed on the 32” and 29” drums). The Capture brings some of the beginning themes full circle. This time, however, the rumble of the engines is on the high drums representing the American convoy. The drums are tuned to a major tonality depicting a resolution of the conflict throughout. The sonar ping is no longer present but the motive carries on as the sub is towed away.


=== Review ===
=== Review ===
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===Online Recordings===
===Online Recordings===


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==Recent Performances==
==Recent Performances==
 
<embedvideo service="youtube">https://www.youtube.com/watch?v=Rvl3VNKs4kM</embedvideo>
{{performances}}
 
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== Works for Percussion by this Composer ==
== Works for Percussion by this Composer ==
{{Lastname, Firstname Works}}<br>
{{Willmarth, John Works}}<br>
 
 
 
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== Additional Resources ==
== Additional Resources ==
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<br />


[[Category:Template]]
[[Category: Solo Works]]
 
[[Category: Timpani Works]]
 
 
 
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Latest revision as of 03:38, 22 July 2026

John Willmarth

General Info

Year of Published: 2022
Publisher: Musicon Publications
Difficulty: Advanced
Duration: c.
Cost: Score and Parts - $17.00   |   Score Only - $0.00


Movements

1. The U-boat
2. The Chase
3. The Battle
4. The Capture

Instrumentation

Timpani

Program Notes

“Capture of the U-505” is a programmatic piece influenced by Wagner’s use of Leitmotif: a musical device in which a character, place, or idea is depicted through a musical theme. Throughout the work the top two drums represent the American Naval forces and the bottom drums the German U-boat, the U-505. The piece is comprised of four sections: The U-boat, The Chase, The Battle, and The Capture. The opening reveals the U-boat theme including the characteristic sound of the sonar ping. The one-handed roll technique depicts the rumble of the U-boat engines. The Chase is written in a canonic style in which one hand ‘chases’ the other. The left hand plays the bottom drums in the key of Bb while the right hand plays the top drums in the key of F. Eventually an ostinato is unveiled which rhythmically spells out the distress signal ‘S.O.S.’ in Morse code. In The Battle, small cloth bags filled with coins are placed in the center of the drumhead producing an explosion sound when the head is struck. At ‘agitato’ the performer should improvise for 10-20 seconds using, but not limited to, the given motives in a fragmented rhythmic style (devoid of an easily discernable pulse center). The texture of the improvisation should become increasingly dense throughout. The drums can be tuned to any pitch throughout this section (based on where the performer chooses to end the glissando effects) but should end with the drums in mid-range. A 4-line staff is also used to represent the four drums rather that delineate a specific pitch set. This section should depict the chaos, aggression, and ferocity of battle. An elongated glissando up the drums is used to portray the U-boat surfacing thus ending the battle (this phrase should be performed on the 32” and 29” drums). The Capture brings some of the beginning themes full circle. This time, however, the rumble of the engines is on the high drums representing the American convoy. The drums are tuned to a major tonality depicting a resolution of the conflict throughout. The sonar ping is no longer present but the motive carries on as the sub is towed away.

Review

Errata

Awards

Commercial Discography

Online Recordings

Recent Performances


Works for Percussion by this Composer

Vibraphone Solo

Waltz for a Windy Day

Snare Drum Solo

Time on My Hands

Timpani Solo

And They're Off
Bushido: The Way of the Warrior
Capture of the U-505

Multiple Percussion Solo Works

Ode to the One-armed Drummer
Rocktopus

Mallet Ensemble Works

Uganda Marimba

Percussion Ensemble

Beware the Jabberwock - 10 Players; Narrator
Now the Day is Over - 9 Players
On Thin Air - 14 Players
Release the Kraken - 4 Players
Rhythm Rocket - 2 Players
Snowpocalypse - 11 Players
Tentacles (Willmarth) - 10 Players
Trinidad Tidings - 9 Players
Waves (Willmarth) - 11 Players

Additional Resources



References




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