Difference between revisions of "Marimba Concerto (Phelps)"
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==Movements== | ==Movements== | ||
| − | Movement 1: Sonnet | + | Movement 1: Sonnet <br/> |
| − | Movement 2: Middle Movement | + | Movement 2: Middle Movement <br/> |
| − | Movement 3: Burlesque | + | Movement 3: Burlesque <br/> |
| − | Movement 4: Epilogue | + | Movement 4: Epilogue <br/> |
| − | |||
== Instrumentation == | == Instrumentation == | ||
Latest revision as of 01:59, 24 December 2025
General Info
Year of Published: 2008
Publisher: Title Publisher
Difficulty: (see Ratings for explanation)
Duration: 00:25:00
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Movement 1: Sonnet
Movement 2: Middle Movement
Movement 3: Burlesque
Movement 4: Epilogue
Instrumentation
Solo
Orchestra
Woodwinds: Piccolo + Alto Flute / Flute 1 + Alto Flute / Flute 2 + Bass Flute / Oboe (1 & 2) / Clarinet (1 & 2) / Bass Clarinet + Contrabass Clarinet / Alto Saxophone / Tenor Saxophone / Baritone Saxophone
Brass: 2 French Horn / Trumpet
Percussion: Timpani
Strings: Violin (1 & 2) / Viola / Cello / Double Bass / Harp (1 & 2)
Program Notes
For me, there is a narrative quality to the progression of movements. The first movement is highly formalized. There is a process, a slowly unfolding chord progression. Of course it is still a love theme. After this, the piece slowly loses its innocence. The Middle Movement builds to a terrible climax, only to be out done by the Epilogue, when the sonnet theme returns. The piece is about the marimba- the soloist carries the music, unlike many modern concertos wherein the soloist plays a virtuosic accompaniment to the mad orchestrations of the rest of the orchestra. I feel strongly about this. Not to say it isn't virtuosic.
Review
Errata
Awards
Commercial Discography
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Recent Performances
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Works for Percussion by this Composer
Additional Resources
References