Difference between revisions of "More metal than you(rs) (2020)"

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(Created page with ""more metal than you(rs)" composed in 2020 for Filament Duo (DeLane Doyle & Aaron Gochberg). Published by Kreating SounD. Total duration is variable 8:30-11:30. ==Notes== "...")
 
 
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"more metal than you(rs)" composed in 2020 for Filament Duo (DeLane Doyle & Aaron Gochberg).
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[[Ron Coulter]]
  
Published by Kreating SounD.
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Total duration is variable 8:30-11:30.
 
  
==Notes==
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== General Info ==
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'''Year''': 2020 <br /-->
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'''Duration''':  c. 8:30-11:30<br /-->
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'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
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'''Publisher''': [[Kreating SounD]]<br /-->
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'''Cost''': Score and Parts - $0.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
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==Movements==
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== Instrumentation ==
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Player I: [[Multiple Percussion]]<br>
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Player II: Multiple Percussion<br>
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Player I: <br>
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Player II: <br>
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== Program Notes ==
 
"more metal than you(rs)" is a duo for two each of the following: snare drums, 12-14” china cymbals, styrofoam, threaded rods, bass bows, small 4-8” cymbals (jing, Paiste accent or cupchimes, etc.), bamboo skewers, plastic cards, pitch pipes, and mini harmonicas.
 
"more metal than you(rs)" is a duo for two each of the following: snare drums, 12-14” china cymbals, styrofoam, threaded rods, bass bows, small 4-8” cymbals (jing, Paiste accent or cupchimes, etc.), bamboo skewers, plastic cards, pitch pipes, and mini harmonicas.
  
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Despite how the composition may sound, it is entirely composed with elements of variability and performer choice, but no real improvisation.  The compositional goal being to compose something that sounds improvised but is not, using a combination of traditional, graphic, and text notation, and extended sound-production techniques. The duration is variable, approximately 8:30-11:30 in total and was recorded by Filament.
 
Despite how the composition may sound, it is entirely composed with elements of variability and performer choice, but no real improvisation.  The compositional goal being to compose something that sounds improvised but is not, using a combination of traditional, graphic, and text notation, and extended sound-production techniques. The duration is variable, approximately 8:30-11:30 in total and was recorded by Filament.
  
==Performances==
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=== Review ===
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== Errata ==
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== Awards ==
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== Commercial Discography==
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Toiling in Obscurity (the second volume of percussion chamber music by Ron Coulter) [https://roncoulter.bandcamp.com/album/toiling-in-obscurity https://roncoulter.bandcamp.com/album/toiling-in-obscurity]
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===Online Recordings===
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==Recent Performances==
 
Wheeler Concert Hall, Casper College (Casper, WY), Filament Duo, March 27, 2021 (World Premiere)
 
Wheeler Concert Hall, Casper College (Casper, WY), Filament Duo, March 27, 2021 (World Premiere)
  
==Recordings==
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Toiling in Obscurity (the second volume of percussion chamber music by Ron Coulter) https://roncoulter.bandcamp.com/album/toiling-in-obscurity
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{{performances}}
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== Works for Percussion by this Composer ==
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{{Coulter, Ron Works}}<br>
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ie:  {{Becerra-Schmidt, Gustavo Works}}  -->
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== Additional Resources ==
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== References ==
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<references/>
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[[Category:Percussion Ensemble Works]]
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[[Category:Percussion Duo Works]]

Latest revision as of 01:11, 9 November 2025

Ron Coulter


General Info

Year: 2020
Duration: c. 8:30-11:30
Difficulty: (see Ratings for explanation)
Publisher: Kreating SounD
Cost: Score and Parts - $0.00   |   Score Only - $0.00


Movements

Instrumentation

Player I: Multiple Percussion
Player II: Multiple Percussion


Program Notes

"more metal than you(rs)" is a duo for two each of the following: snare drums, 12-14” china cymbals, styrofoam, threaded rods, bass bows, small 4-8” cymbals (jing, Paiste accent or cupchimes, etc.), bamboo skewers, plastic cards, pitch pipes, and mini harmonicas.

The work was composed in 2020 for Filament (DeLane Doyle & Aaron Gochberg) and premiered by them on March 27, 2021 at Wheeler Concert Hall (Casper, WY).

Despite how the composition may sound, it is entirely composed with elements of variability and performer choice, but no real improvisation. The compositional goal being to compose something that sounds improvised but is not, using a combination of traditional, graphic, and text notation, and extended sound-production techniques. The duration is variable, approximately 8:30-11:30 in total and was recorded by Filament.

Review

Errata

Awards

Commercial Discography

Toiling in Obscurity (the second volume of percussion chamber music by Ron Coulter) https://roncoulter.bandcamp.com/album/toiling-in-obscurity


Online Recordings

Recent Performances

Wheeler Concert Hall, Casper College (Casper, WY), Filament Duo, March 27, 2021 (World Premiere)


To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

Los Seis Manos (1999) – Conga Trio
Duet for Vibes (2001, rev. 2019) – Duet for Vibraphones
Rock Etudes 1.0, 1.2, 1.3, 1.4, 1.5 (2006) – Any Number of Performers Playing Rocks
Opportunity Lost (2006) – Solo Vibraphone
Marimba Peace (2006) – Marimba Quintet
Repose for Two Marimbas (2007) – Marimba Duo
JAM BOX: Cajon Trio for Nate #1 and Nate #2 (2007-08) – Cajon Trio
Vibolet (2008) – Solo Vibraphone
Marimba Trio No. 1 (Amadinda Meditation) (2007-08) – Marimba Trio
Boxes of Music (2008) – Solo Percussion & Live Electronic Processing
RE: the destruction of a life by a precious little flower (2009) – Solo Vibraphone & Live Electronic Processing
S P H E R E S (December 2010) – Percussion Quintet & Prepared Piano
Persistent Reflection on Opportunity Lost (2011) – Solo Bowed Vibraphone & Live Electronic Processing
Stars, Tears, and Ice Picks (2014) – 6-12 Percussionists
The Bleak, Disconsolate Pulchritude (2014) – Quartet for Spoxe & Optional Live Feedback
For Johanna Beyer (2015) – 9+ Percussionists & Speaker
System No. 1 (2015) – Solo Prepared Snare Drum
Seven Thoughts for Glockenspiel (2015) – Solo Glockenspiel/Multiple Percussion
Zzzerrrrrangatang! (2015) – Solo Snare Drum & 4 Graduated Elephant Bells
Disappointment in the smallness of humanity. (2015) – Solo Vibraphone & Live Electronics
LOST… (2015) – Bass Clarinet & 1-100+ Percussionists
Beautiful Waste (2015/16) – Solo Brake Drums & Live Electronics
Dark, True Center (2016) – Solo Manhassett Music Stand, Kalimba & Live Electronics
Joy! (of the beautiful ones) (2016) – Solo Friction Snare Drum
Areas 1: Voices…a dead person’s things (2016) – Solo for 2 Snare Drums & Controlled Feedback
Love Letter to a Liar (2016) – Solo Shona Mbira
Looking into a faded life burning out. (2007-2017) – Quartet for Glockenspiel/Crotales, Vibraphone, Marimba, and Bass Marimba
System No. 2 (2018) – Solo Snare Drum & Chinese Cymbal
…the laughter of the mutilated…, RE: Bukowski (2018) – Solo Shona Mbira, Snare Drum & Vibrator
…the tiny rooms of starvation and madness. (2018) – Percussion Octet
System No. 3 – Elaborations on Pendulum Music (2019) – Solo for 2 Snare Drums & 3 Mini-Guitar Amps with Hanging Microphones
bizzy lil’ buzzle (2019) – Beginner Percussion Quintet (1 of 3)
Composition362 (2019, rev. 2021) – Percussion Trio+
GO! Squirrel! (2019) – Beginner Percussion Quintet (2 of 3)
March for Bill & Johanna (2020) – Beginner Percussion Quintet (3 of 3)
CODE-20.vi (2020) – Solo for 2 Snare Drums & 1 Radio
High Fives for Eddie (2020) – Solo Drum with Optional Preparations
Spricey (2020) – Beginner Percussion Duet (1 of 3)
more metal than you(rs) (2020) – Percussion Duet
Barky’s Demise (2020) – Beginner Percussion Trio (1 of 3)
RatchetMusik #1 (amircantian) (2021) – 2+ Ratchet Performers
Ratchet Musik No.2 (2021) – Quartet for Ratchets
Ratchet Musik #3 (concentration) (2021) – Any Number of Ratchet Performers
Akaheze Folk Song (2021) – Solo for Controlled Feedback & 2 Wind Whistles
On the One (2022) – Percussion Quintet with Piano
Sensing 1 (2023) – 5 to 9 Percussionists
Hallucinations (2025) – 7+ Percussionists
Looka’ Choo (choo)! (2021/2025) – Beginner Percussion Trio (2 of 3)
Bim! Bim! Bim! (2025) – Beginner Percussion Trio (3 of 3)



Additional Resources



References