Difference between revisions of "Two Pieces for Percussion Quartet (Burwasser)"
Line 34: | Line 34: | ||
== Commercial Discography== | == Commercial Discography== | ||
− | + | For sample of the score and MP3 - http://amc.net/library/composition.aspx?CompositionID=74227 | |
<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | <!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | ||
− | |||
==Recent Performances== | ==Recent Performances== |
Latest revision as of 17:48, 8 April 2012
General Info
Year: 1987
Duration: c. 8:00
Difficulty: (see Ratings for explanation)
Publisher: AMC
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
I. Nocturne II. Creature
Instrumentation
Player I: marimba (with low A), xylophone, crotale (Bb), triangle
Player II: marimba (with low A), vibraphone
Player III: glock, chimes, 2 woodblocks (high/low), tambourine, bell tree,bongos
Player IV: 4 to 5 pedal timpani, triangle, susp cymbal, chinese cymbal
Program Notes
I. Nocturne II. Creatures The Two Pieces for Percussion Quartet, completed in 1987, presents two antithetical images. In Nocturne, the composer chose various ringing, metalic instruments such as triangle, vibraphone, glockenspiel, crotales, and cymbals to depict a rural, pastoral landscape at dusk-- the closing bars suggest the glimmer of stars. These sounds are lightly punctuated and contrasted throughout with less resonant instruments like the marimba, xylophone , and timpani. The arhythmia of the timpani line in particular, evokes an ominous undercurrent as one might sense while looking up at a calm evening sky. Creatures describes the chaotic atmosphere of an urban infestation of various multi-legged beings. A special technique is introduced in this piece where the performers play specific pitches on the marimba and xylophone with the ratan part of the mallets, thus producing sounds emulating the scurrying of tiny feet. This technique pervades the entire movement. There are also loud eruptions as new types of creatures emerge and the infestation mounts. The conclusion of Creatures uses imitative counterpoint to create a cumulative affect in the music as one creature appears one after the another. The final three bars express a sudden human presence, resulting in a quick dispersion of the creature population. The first performance of Two Pieces for Percussion Quartet was given on March 13, 1989 by The Brooklyn College Percussion Ensemble.[1]
Commercial Discography
For sample of the score and MP3 - http://amc.net/library/composition.aspx?CompositionID=74227
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Rotations - Marimba
Two Pieces for Percussion Quartet (Burwasser) - Percussion Quartet
Additional Resources
References