Difference between revisions of "Composition362"

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(Created page with ""Composition #362" composed in 2019 and revised in 2021 for two or more percussionists. Published by Kreating SounD. Total duration is variable 5:45-6:45+. ==Notes== "Compo...")
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Revision as of 21:14, 8 November 2025

"Composition #362" composed in 2019 and revised in 2021 for two or more percussionists.

Published by Kreating SounD.

Total duration is variable 5:45-6:45+.

Notes

"Composition #362" for two or more percussionists, each with three woodblocks, one floor tom, one towel, one “idiomatic” sounding mallet, and one contrasting implement of any kind.

The composition was inspired by a solo drum set and electronics performance by Sean Hamilton.

Despite how the composition may sound, it is entirely composed with elements of variability and performer choice, no real improvisation. The compositional goal being to compose something that sounds improvised but is not, using a combination of traditional and text notation to provide exact musical materials and parametric controls, with options for performer choice. The duration is variable, approximately 5:45-6:45+. Recorded by the quartet of Filament (DeLane Doyle & Aaron Gochberg), Shilo Stroman, and Ron Coulter.


Performances

Wheeler Concert Hall, Casper College (Casper, WY), Filament Duo with Shilo Stroman & Ron Coulter, March 27, 2021 (World Premiere)

Recordings

Toiling in Obscurity (the second volume of percussion chamber music by Ron Coulter) https://roncoulter.bandcamp.com/album/toiling-in-obscurity