Difference between revisions of "Get Hyped!"
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== Program Notes == | == Program Notes == | ||
Caden Hong, a young student from Honolulu, was inspired by percussion ensemble music and made it his goal to commission new works for his group. With the support from his teacher, Zachary Morita, he was able to gather funding and connect with current composers. I am thrilled to be a part of this commissioning project for the Hawaii Youth Percussion Ensemble. | Caden Hong, a young student from Honolulu, was inspired by percussion ensemble music and made it his goal to commission new works for his group. With the support from his teacher, Zachary Morita, he was able to gather funding and connect with current composers. I am thrilled to be a part of this commissioning project for the Hawaii Youth Percussion Ensemble. | ||
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| + | == Performance Notes == | ||
| + | Each player should have one drum and one cymbal. Dry drums are recommended. If using toms or other resonant drums, consider muting heavily so that the non-accented notes do not get in the way of hearing the primary themes. Performers may use any cymbals, but a variety of sounds are preferred. | ||
== Recent Performance == | == Recent Performance == | ||
Latest revision as of 03:43, 13 July 2025
General Info
Year of Published: 2020
Publisher: C. Alan Publications
Series: The IGNITE Series
Difficulty: Elementary
Duration: 00:02:45
Cost: $32.00
Instrumentation
Part 1: Drum & Cymbal
Part 2: Drum & Cymbal
Part 3: Drum & Cymbal
Part 4: Drum & Cymbal
Program Notes
Caden Hong, a young student from Honolulu, was inspired by percussion ensemble music and made it his goal to commission new works for his group. With the support from his teacher, Zachary Morita, he was able to gather funding and connect with current composers. I am thrilled to be a part of this commissioning project for the Hawaii Youth Percussion Ensemble.
Performance Notes
Each player should have one drum and one cymbal. Dry drums are recommended. If using toms or other resonant drums, consider muting heavily so that the non-accented notes do not get in the way of hearing the primary themes. Performers may use any cymbals, but a variety of sounds are preferred.
Recent Performance
Works for Percussion by this Composer
Solo
Bon Voyage - Marimba
Reflections (Kepley) - Marimba
Small Ensemble
1-21 - Percussion Quartet
And we meet again - Percussion Quintet
From the Inside Out - Percussion Quartet
Matafnik - Percussion Trio
Quintessential Quintets - Percussion Quintet
Syncoshift - Percussion Quartet
Flexible Percussion Ensemble
Battle Royale
Circles
Get Hyped!
Percussion with other Instrument
Duet for Horn & Marimba (Kepley) - Horn and Marimba