Difference between revisions of "7 for Vibraphone"
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== Program Notes == | == Program Notes == | ||
===Review=== | ===Review=== | ||
− | This short composition for solo vibraphone is written without a key signature, but with much of the material centered around a tonal center of F. There is an absence of three- or four-note chords, so the performer will have the option of paying with either two, three, or four mallets. There are also no pedal suggestions, so the performer must make pedaling or dampening decisions for clarity. The tempo is fairly bright (quarter note = 96) and the numerous sixteenth-note triplets will challenge most players. This nice solo definitely is worthy of consideration for solo contests. - George Frock, February, 1999<ref>http://www.pas.org pas.org accessed March 20. 2013</ref> | + | This short composition for solo vibraphone is written without a key signature, but with much of the material centered around a tonal center of F. There is an absence of three- or four-note chords, so the performer will have the option of paying with either two, three, or four mallets. There are also no pedal suggestions, so the performer must make pedaling or dampening decisions for clarity. The tempo is fairly bright (quarter note = 96) and the numerous sixteenth-note triplets will challenge most players. This nice solo definitely is worthy of consideration for solo contests. - George Frock, February, 1999<ref>http://www.pas.org pas.org accessed March 20. 2013</ref><br> |
+ | |||
+ | dedication: To Beth G. Layne<br> | ||
== Errata == | == Errata == | ||
Revision as of 18:51, 20 March 2013
General Info
Year: 1998
Duration: c. 2:00
Difficulty: (see Ratings for explanation)
Publisher: Kastuck
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Program Notes
Review
This short composition for solo vibraphone is written without a key signature, but with much of the material centered around a tonal center of F. There is an absence of three- or four-note chords, so the performer will have the option of paying with either two, three, or four mallets. There are also no pedal suggestions, so the performer must make pedaling or dampening decisions for clarity. The tempo is fairly bright (quarter note = 96) and the numerous sixteenth-note triplets will challenge most players. This nice solo definitely is worthy of consideration for solo contests. - George Frock, February, 1999[1]
dedication: To Beth G. Layne
Errata
Awards
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
7 for Vibraphone - Vibraphone
C. K. - Drumset
Fanfare for Six - Percussion Sextet
Jumping for Joyce - Drumset
Mr. Squidwerd - Percussion Ensemble
Rondo (Henry) - Percussion Sextet
Summer Song - Vibraphone
Timpani Solo No. 1 - Timpani
Timpani Solo No. 2 - Timpani
Timpania - Percussion Octet
Additional Resources
References
- ↑ http://www.pas.org pas.org accessed March 20. 2013