Difference between revisions of "Suite En Concert"
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− | [[ | + | [[André Jolivet]] |
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== General Info == | == General Info == | ||
− | '''Year''': | + | '''Year''': 1965<br /--> |
− | '''Duration''': c. <br /--> | + | '''Duration''': c. 18:40<br /--> |
− | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | + | '''Difficulty''': Advanced (see [[Ratings]] for explanation)<br /--> |
− | '''Publisher''': [[ | + | '''Publisher''': [[Billaudot]]<br /--> |
− | '''Cost''': Score and Parts - $ | + | '''Cost''': Score and Parts - $42.99 | Score Only - $0.00<br /--> |
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==Movements== | ==Movements== | ||
− | + | I. Modéré - Frémissant<br> | |
+ | II. Stabile<br> | ||
+ | III. Hardiment<br> | ||
+ | IV. Calme - Véloce - Apaisé<br> | ||
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== Instrumentation == | == Instrumentation == | ||
+ | Player I: <br> | ||
+ | Player II: <br> | ||
+ | Player III: <br> | ||
+ | Player IV: <br> | ||
− | + | Flute <Br> | |
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== Program Notes == | == Program Notes == | ||
− | + | Suite en Concert pour flûte et percussion by André Jolivet is also entitled 2nd Concerto for Flute in the score, and is dedicated to Jean Piere Rampal, who gave its first performance. The work is scored for four “multi-percussion” setups using a total of 40 percussion instruments, and one soloist playing flute and alto flute. The virtuosic writing for the percussion makes almost impossible demands on each of the four percussionists. A well developed sensitivity to each other is re-quired if the individual contributions are to fall into place. Irrational rhythms, subtle timbres, and powerful tensions characterize the suite, and Jolivet’s musical style centers around a bewitching palette of woods, skins and metals. The flute soloist, using technically demanding arabesque trills, plays a liberating, virtuosic role, set apart and juxtaposed from the percussion “orchestra”. In 1932 Jolivet met the highly controversial composer Edgar Varese (Ionisation) and inherited from him a lifelong interest in percussion instruments. In 1936 Jolivet and Olivier Messaiaen formed a group called ‘La jeune France’ dedicated to the promotion of modern music with national leanings. His music contains a long-term experimen-tation with asymmetrical rhythms and polytonality. Jolivet wrote two other well known percussion works: Heptade for trumpet with one multi-percussionist, and Ceremonial for six percussionists. Suite en Concert was recorded on The Krou-mata Percussion Ensemble 2, Manuela Wiesler, flute, BIS-CD 272. | |
=== Review === | === Review === | ||
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== Errata == | == Errata == | ||
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===Online Recordings=== | ===Online Recordings=== | ||
− | + | <embedvideo service="youtube">https://www.youtube.com/watch?v=gFXvtVxU3LE</embedvideo> | |
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==Recent Performances== | ==Recent Performances== | ||
+ | Performed on 4/23/24 - Emporia State University Percussion Ensemble - Featuring Dr. Kate Bergman, Flute. Albert Taylor Concert Hall<br> | ||
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{{performances}} | {{performances}} | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
− | {{ | + | {{Jolivet, André Works}} |
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[[Category:Historical Works]] | [[Category:Historical Works]] | ||
[[Category:Percussion Ensemble Works]] | [[Category:Percussion Ensemble Works]] | ||
[[Category:Percussion Quartet Works]] | [[Category:Percussion Quartet Works]] | ||
[[Category:Flute Works]] | [[Category:Flute Works]] |
Latest revision as of 03:41, 24 April 2024
General Info
Year: 1965
Duration: c. 18:40
Difficulty: Advanced (see Ratings for explanation)
Publisher: Billaudot
Cost: Score and Parts - $42.99 | Score Only - $0.00
Movements
I. Modéré - Frémissant
II. Stabile
III. Hardiment
IV. Calme - Véloce - Apaisé
Instrumentation
Player I:
Player II:
Player III:
Player IV:
Flute
Program Notes
Suite en Concert pour flûte et percussion by André Jolivet is also entitled 2nd Concerto for Flute in the score, and is dedicated to Jean Piere Rampal, who gave its first performance. The work is scored for four “multi-percussion” setups using a total of 40 percussion instruments, and one soloist playing flute and alto flute. The virtuosic writing for the percussion makes almost impossible demands on each of the four percussionists. A well developed sensitivity to each other is re-quired if the individual contributions are to fall into place. Irrational rhythms, subtle timbres, and powerful tensions characterize the suite, and Jolivet’s musical style centers around a bewitching palette of woods, skins and metals. The flute soloist, using technically demanding arabesque trills, plays a liberating, virtuosic role, set apart and juxtaposed from the percussion “orchestra”. In 1932 Jolivet met the highly controversial composer Edgar Varese (Ionisation) and inherited from him a lifelong interest in percussion instruments. In 1936 Jolivet and Olivier Messaiaen formed a group called ‘La jeune France’ dedicated to the promotion of modern music with national leanings. His music contains a long-term experimen-tation with asymmetrical rhythms and polytonality. Jolivet wrote two other well known percussion works: Heptade for trumpet with one multi-percussionist, and Ceremonial for six percussionists. Suite en Concert was recorded on The Krou-mata Percussion Ensemble 2, Manuela Wiesler, flute, BIS-CD 272.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
Performed on 4/23/24 - Emporia State University Percussion Ensemble - Featuring Dr. Kate Bergman, Flute. Albert Taylor Concert Hall
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Ceremonial – Percussion Sextet
Concerto pour percussion – Multiple Percussion; Orchestra
Heptade – Multiple Percussion; Trumpet
Suite En Concert – Percussion Quartet; Flute
Additional Resources
References