Difference between revisions of "Speaking Drums"
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| − | [[ | + | [[Peter Eötvös]] |
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== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 2012/13<br /--> |
| − | '''Duration''': c. <br /--> | + | '''Duration''': c. 20:00 <br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
| − | '''Publisher''': [[ | + | '''Publisher''': [[Schott ]]<br /--> |
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
==Movements== | ==Movements== | ||
| + | I Tanzlied /Dance songs | ||
| + | II Nonsens Songs | ||
| + | III (Passacaglia: Intrada, Saltarello, Bourré, Passepied, Gigue, Allemande, Finale) | ||
| + | |||
| + | |||
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== Instrumentation == | == Instrumentation == | ||
| + | [[Multiple Percussion]]: <br> | ||
| + | [[Orchestra]]<br> | ||
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== Program Notes == | == Program Notes == | ||
| + | Talking whilst playing the drum is not something unique. We can find it in traditional Indian percussion, and in jazz when musicians accompany their play with "Sprechgesang". This piece goes the opposite way: It begins with the percussionist speaking nonsensically, the emphasis on the rhythm, which he then passes on to his instrument. Like the pure, childish joy of repeating the same word in a different tune, the soloist teaches his instrument to speak until the drums start to talk themselves. | ||
| + | The work was inspired by a poem by Sándor Weöres, where each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative. | ||
| + | (Ann-yi Bingöl)<ref>http://eotvospeter.com/index.php?node=compositions&id=117&function=&targetpage=texts¤t_menu=compositions_commissions</ref> | ||
| + | |||
| + | POEMS<br> | ||
| + | |||
| + | 1.Satz / First movement DANCE SONG<br> | ||
| + | |||
| + | Poem by Sándor Weöres, original titel: Táncdal (Dance Song/ Tanzlied)<br> | ||
| + | |||
| + | panyigai panyigai panyigai<br> | ||
| + | ü panyigai ü<br> | ||
| + | panyigai panyigai panyigai<br> | ||
| + | ü panyigai ü<br> | ||
| + | |||
| + | kudora panyigai panyigai<br> | ||
| + | kudora ü<br> | ||
| + | panyigai kudora kudora<br> | ||
| + | panyigai ü<br> | ||
| + | |||
| + | kotta kudora panyigai<br> | ||
| + | kudora kotta ü<br> | ||
| + | kotta panyigai kudora<br> | ||
| + | panyigai kotta ü<br> | ||
| + | |||
| + | ház panyigai kudora<br> | ||
| + | ü kudora kotta ház<br> | ||
| + | kudora ház panyigai<br> | ||
| + | ü panyigai ház kotta<br> | ||
| + | |||
| + | |||
| + | |||
| + | 2. Satz/ Second movement NONSENSE SONGS<br> | ||
| + | |||
| + | - First poem original titel:<br> | ||
| + | |||
| + | ARANY KÉS FOROG (Goldene Messerklinge dreht im Herzen)<br> | ||
| + | naur glainre iki<br> | ||
| + | vobe gollu vá<br> | ||
| + | tian pliteí keumu tié<br> | ||
| + | hom vonnon mi<br> | ||
| + | |||
| + | Second poem, original titel: <br> | ||
| + | BARBÁR DAL (Barbarisches Lied / Barbarian song)<br> | ||
| + | |||
| + | Ole dzsuro nanni he<br> | ||
| + | ole csilambo ábábi he<br> | ||
| + | ole buglo iningi he<br> | ||
| + | lünlel dáji he! jaman!<br> | ||
| + | |||
| + | 3. Satz/ Third movement PASSACAGLIA<br> | ||
| + | (Intrada-Saltarello-Bourée-Passepied-Gigue-Allemande-Finale)<br> | ||
| + | |||
| + | Original title: Polyrhythmia <br> | ||
| + | Lalitala vangala tápari sílana kómala malaja szamiré<br> | ||
| + | mad hukara níkara karambita kókila kúdzsita kundzsa kutiré<br> | ||
| + | Harir iha viharati szaraszava szanté<br> | ||
| + | n ritjati juvatidzsanéna szamam szakhi virahidzsanaszja duranté<br> | ||
=== Review === | === Review === | ||
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===Online Recordings=== | ===Online Recordings=== | ||
| − | + | <embedvideo service="youtube">https://www.youtube.com/watch?v=u8fqnipmUPA</embedvideo> | |
<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | <!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| − | {{ | + | {{Eotvos, Peter Works}}<br> |
Revision as of 19:08, 25 May 2018
General Info
Year: 2012/13
Duration: c. 20:00
Difficulty: (see Ratings for explanation)
Publisher: Schott
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
I Tanzlied /Dance songs II Nonsens Songs III (Passacaglia: Intrada, Saltarello, Bourré, Passepied, Gigue, Allemande, Finale)
Instrumentation
Program Notes
Talking whilst playing the drum is not something unique. We can find it in traditional Indian percussion, and in jazz when musicians accompany their play with "Sprechgesang". This piece goes the opposite way: It begins with the percussionist speaking nonsensically, the emphasis on the rhythm, which he then passes on to his instrument. Like the pure, childish joy of repeating the same word in a different tune, the soloist teaches his instrument to speak until the drums start to talk themselves. The work was inspired by a poem by Sándor Weöres, where each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative. (Ann-yi Bingöl)[1]
POEMS
1.Satz / First movement DANCE SONG
Poem by Sándor Weöres, original titel: Táncdal (Dance Song/ Tanzlied)
panyigai panyigai panyigai
ü panyigai ü
panyigai panyigai panyigai
ü panyigai ü
kudora panyigai panyigai
kudora ü
panyigai kudora kudora
panyigai ü
kotta kudora panyigai
kudora kotta ü
kotta panyigai kudora
panyigai kotta ü
ház panyigai kudora
ü kudora kotta ház
kudora ház panyigai
ü panyigai ház kotta
2. Satz/ Second movement NONSENSE SONGS
- First poem original titel:
ARANY KÉS FOROG (Goldene Messerklinge dreht im Herzen)
naur glainre iki
vobe gollu vá
tian pliteí keumu tié
hom vonnon mi
Second poem, original titel:
BARBÁR DAL (Barbarisches Lied / Barbarian song)
Ole dzsuro nanni he
ole csilambo ábábi he
ole buglo iningi he
lünlel dáji he! jaman!
3. Satz/ Third movement PASSACAGLIA
(Intrada-Saltarello-Bourée-Passepied-Gigue-Allemande-Finale)
Original title: Polyrhythmia
Lalitala vangala tápari sílana kómala malaja szamiré
mad hukara níkara karambita kókila kúdzsita kundzsa kutiré
Harir iha viharati szaraszava szanté
n ritjati juvatidzsanéna szamam szakhi virahidzsanaszja duranté
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Music for New York - Multiple Percussion; Soprano Saxophone, With Tape
New Psalm - Multiple Percussion
Psalm 151 - Multiple Percussion (solo), or Percussion Quartet
Speaking Drums - Multiple Percussion; Orchestra
Thunder - Timpani
Triangel (Eotvos) - Multiple Percussion, Orchestra
Zwei Promenaden - Percussion Duo; Keyboard, Tuba
Additional Resources
References