Difference between revisions of "Farberman, Harold"

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[[Image:composername.jpg|right|thumb|250px|Composer Name]]
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[[Image:HaroldFarberman.jpg|right|thumb|250px|Harold Farberman]]
  
 
== Biography ==
 
== Biography ==
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Born: November 02, 1929<br />
  
 
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Country: New York City, U.S.A. <br />
  
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Studies:
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Studies: Juilliard School of Music (1951), New England Conservatory (B.S.1956, M.S.1957)
  
 
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Harold Farberman has conducted many of the world’s leading orchestras, including the London Symphony, Royal Philharmonic, Philharmonia, BBC Symphony, English Chamber Orchestra, Bournemouth Symphony, Stockholm Philharmonic, Danish Radio Orchestra, Swedish Radio Orchestra, Hessischer Rundfunk, BRT Orchestra (Brussels), Orchestre National de Lille, RAI in Rome, Mozarteum Orchestra, Hong Kong Philharmonic, KBS (Korea), Sydney and Melbourne Symphonies (Australia), and the Puerto Rico Symphony.
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Upon graduating from The Juilliard School of Music, Farberman was invited to join the Boston Symphony Orchestra as a percussionist/timpanist. At the time, he was the youngest player to ever become a full-time member of the orchestra. He resigned in 1963 to devote his energy to conducting and composing. In 1966 he was appointed principal guest conductor of the Denver Symphony Orchestra; subsequently, he became music director and conductor of the Colorado Springs Symphony and Oakland Symphony Orchestra, and principal guest conductor of the Bournemouth Sinfonietta in Great Britain.
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Farberman has recorded more of Charles Ives’s works than any other conductor and is the only conductor to date to have recorded all four of the composer’s symphonies. As a result, he was honored with the Ives Award from the Charles Ives Society.
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The December 1993 issue of the American Record Guide listed his recordings with the London Symphony Orchestra of Mahler’s Symphonies Nos. 2, 5, and 6 as among the best ever recorded. His recording of the complete symphonies of Michael Haydn, recorded with the Bournemouth Sinfonietta for MMG Records, received acclaim from the New York Times and High Fidelity magazine. His recording of Glière’s Ilya Murometz with the Royal Philharmonic, on the Unicorn label, received the Saint Cecilia Award, Belgium’s highest recording award.
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A prolific composer, Farberman counts orchestral works, chamber music, concertos, ballet music, film scores, song cycles, and three operas among his compositions. His opera The Losers was commissioned by The Juilliard School of Music and premiered at Lincoln Center. His chamber opera Diamond Street premiered at the Hudson Opera House in October 2009; it was commissioned by the city of Hudson, New York, for the Hudson Fulton Champlain Quadricentennial.
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Farberman is also a tireless advocate on behalf of conductors. In the 1970s, while serving as a member of the American Symphony Orchestra League, he established countrywide workshops for young conductors. At the 1975 American Symphony Orchestra League Conference, he proposed the creation of an association of conductors; the following year the Conductors Guild became a reality, and Farberman served two terms as its first president. He is the founder and director of the acclaimed Conductors Institute, a summer conducting program at Bard College, where he is also a co-director of the Graduate Conducting Program of the Bard College Conservatory of Music.<ref>http://www.bard.edu/conservatory/faculty/?action=details&id=1522</ref>
  
 
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== Works for Percussion ==
 
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Latest revision as of 15:19, 2 November 2014

Harold Farberman

Biography

Born: November 02, 1929

Country: New York City, U.S.A.

Studies: Juilliard School of Music (1951), New England Conservatory (B.S.1956, M.S.1957)

Teachers:


Harold Farberman has conducted many of the world’s leading orchestras, including the London Symphony, Royal Philharmonic, Philharmonia, BBC Symphony, English Chamber Orchestra, Bournemouth Symphony, Stockholm Philharmonic, Danish Radio Orchestra, Swedish Radio Orchestra, Hessischer Rundfunk, BRT Orchestra (Brussels), Orchestre National de Lille, RAI in Rome, Mozarteum Orchestra, Hong Kong Philharmonic, KBS (Korea), Sydney and Melbourne Symphonies (Australia), and the Puerto Rico Symphony.

Upon graduating from The Juilliard School of Music, Farberman was invited to join the Boston Symphony Orchestra as a percussionist/timpanist. At the time, he was the youngest player to ever become a full-time member of the orchestra. He resigned in 1963 to devote his energy to conducting and composing. In 1966 he was appointed principal guest conductor of the Denver Symphony Orchestra; subsequently, he became music director and conductor of the Colorado Springs Symphony and Oakland Symphony Orchestra, and principal guest conductor of the Bournemouth Sinfonietta in Great Britain.

Farberman has recorded more of Charles Ives’s works than any other conductor and is the only conductor to date to have recorded all four of the composer’s symphonies. As a result, he was honored with the Ives Award from the Charles Ives Society.

The December 1993 issue of the American Record Guide listed his recordings with the London Symphony Orchestra of Mahler’s Symphonies Nos. 2, 5, and 6 as among the best ever recorded. His recording of the complete symphonies of Michael Haydn, recorded with the Bournemouth Sinfonietta for MMG Records, received acclaim from the New York Times and High Fidelity magazine. His recording of Glière’s Ilya Murometz with the Royal Philharmonic, on the Unicorn label, received the Saint Cecilia Award, Belgium’s highest recording award.

A prolific composer, Farberman counts orchestral works, chamber music, concertos, ballet music, film scores, song cycles, and three operas among his compositions. His opera The Losers was commissioned by The Juilliard School of Music and premiered at Lincoln Center. His chamber opera Diamond Street premiered at the Hudson Opera House in October 2009; it was commissioned by the city of Hudson, New York, for the Hudson Fulton Champlain Quadricentennial.

Farberman is also a tireless advocate on behalf of conductors. In the 1970s, while serving as a member of the American Symphony Orchestra League, he established countrywide workshops for young conductors. At the 1975 American Symphony Orchestra League Conference, he proposed the creation of an association of conductors; the following year the Conductors Guild became a reality, and Farberman served two terms as its first president. He is the founder and director of the acclaimed Conductors Institute, a summer conducting program at Bard College, where he is also a co-director of the Graduate Conducting Program of the Bard College Conservatory of Music.[1]


Works for Percussion

Alea, A game of chance for percussion ensemble - Percussion Sextet
Combinations: for Percussion Ensemble - Percussion Octet
Concerto for Jazz Drummer and Symphony Orchestra - Drumset; Orchestra
Concerto for Jazz Vibraphone and Symphony Orchestra - Vibraphone; Orchestra
Concerto for Timpani and Orchestra (Farberman) - Timpani; Orchestra
D'Obe (Dialogues on Bacon Essays) - Percussion Duo
Early Hudson Scenes - Percussion Duo; Pianos (2)
Evolution for Percussion - Percussion Septet; Voice; Horn
Fragments (Farberman) - Percussion Sextet
Lament (Farberman) - Percussion Sextet
Latin Ostinato - Percussion Sextet
March Rondo - Percussion Sextet
Music Inn Suite - Drumset; Percussion Septet
Percussion Ensemble Collection (Level I) - Percussion Septet
Percussion Ensemble Collection (Level II) - Percussion Septet
Percussion Ensemble Collection (Level III) - Percussion Septet
Percussion Sleigh Ride - Percussion Sextet
Progressions for Flute and Percussion - Percussion Duo; Flute
Retrograde Waltz - Percussion Sextet
Six-eight Dance - Percussion Sextet
Spain - Percussion Sextet
Take-Off - Percussion Sextet
Tarentella - Percussion Sextet
The Preacher - Percussion Quartet; Trumpet
Three Plus Two (3+2) - Percussion Sextet
Variations for Percussion with Piano - Percussion Quartet; Piano
Variations on a Familiar Theme - Percussion Septet
Waltz Rondo - Percussion Sextet

References

  1. ↑ http://www.bard.edu/conservatory/faculty/?action=details&id=1522







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