Difference between revisions of "Bolado"

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[[subst:works]]
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[[Adam Hopper]]
  
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== General Info ==
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'''Year''': 2016 <br /-->
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'''Duration''':  c. 3:30<br /-->
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'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
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'''Publisher''': [[C. Alan Publications]]<br /-->
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'''Cost''': Score and Parts - $54.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
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==Movements==
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[[Adam Hopper]]
 
== General Info ==
 
Year of published: 2016 <br/>
 
Publisher: [[C. Alan Publications]] <br/>
 
Duration: 00:03:30 <br/>
 
Cost: $54.00 <br/>
 
  
 
== Instrumentation ==
 
== Instrumentation ==
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Player 11: [[Shaker]] & [[Hi-Hat]] & [[Ride Cymbal]] & [[China Cymbal]] & 3 [[Tom Toms]] & [[Snare Drum]] <br/>
 
Player 11: [[Shaker]] & [[Hi-Hat]] & [[Ride Cymbal]] & [[China Cymbal]] & 3 [[Tom Toms]] & [[Snare Drum]] <br/>
  
==Program Notes==
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== Program Notes ==
 
Bolado is a piece written for large percussion ensemble. This piece was written after a trip to El Salvador and the white knuckle ride from the airport to the center of town. The fast-pace changing of lanes, quick maneuvers to avoid oncoming traffic and pedestrians, and the dance-like movement of the other cars on the road can all be heard in the piece. The B section of the piece is inspired by a brief stop at a traffic light in a poor section of town. The people who reside in this shanty section of town used found metals, glass, and wood to construct their make-shift shelters for the evening. The slow and lamenting section is topped off by the sounds of metals and wood ostinatos in the rhythm section that are meant to represent the construction of these shacks. Suddenly, the car zooms off again toward the city center as we hear a reprise of the main theme. This piece is meant to incorporate percussion instruments that are found in most high schools and middle schools.
 
Bolado is a piece written for large percussion ensemble. This piece was written after a trip to El Salvador and the white knuckle ride from the airport to the center of town. The fast-pace changing of lanes, quick maneuvers to avoid oncoming traffic and pedestrians, and the dance-like movement of the other cars on the road can all be heard in the piece. The B section of the piece is inspired by a brief stop at a traffic light in a poor section of town. The people who reside in this shanty section of town used found metals, glass, and wood to construct their make-shift shelters for the evening. The slow and lamenting section is topped off by the sounds of metals and wood ostinatos in the rhythm section that are meant to represent the construction of these shacks. Suddenly, the car zooms off again toward the city center as we hear a reprise of the main theme. This piece is meant to incorporate percussion instruments that are found in most high schools and middle schools.
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=== Review ===
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== Errata ==
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== Awards ==
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== Commercial Discography==
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===Online Recordings===
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==Recent Performances==
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{{performances}}
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== Works for Percussion by this Composer ==
 
== Works for Percussion by this Composer ==
{{Hopper, Adam Works}}
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{{Hopper, Adam Works}}<br>
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== Additional Resources ==
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== References ==
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[[Category:Percussion Ensemble Works]]
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[[Category:Percussion 11 Works]]
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== Reference ==
 
  
[[Category: Percussion Ensemble Works]]
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[[Category: Percussion 11 Works]]
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Latest revision as of 03:32, 2 March 2024

Adam Hopper


General Info

Year: 2016
Duration: c. 3:30
Difficulty: (see Ratings for explanation)
Publisher: C. Alan Publications
Cost: Score and Parts - $54.00   |   Score Only - $0.00


Movements

Instrumentation

Player 1: Glockenspiel
Player 2: Vibraphone
Player 3: Xylophone 1
Player 4: Xylophone 2
Player 5: Marimba 1
Player 6: Marimba 2
Player 7: Congas & Crash Cymbal & Large Triangle
Player 8: Cajon & Cymbal Stack & Small Triangle
Player 9: Hi Hat & Ride Cymbal & China Cymbal & 3 Tom Toms & Snare Drum
Player 10: Hi-Hat & Ride Cymbal & Splash Cymbal & Metals & Cymbal Stack
Player 11: Shaker & Hi-Hat & Ride Cymbal & China Cymbal & 3 Tom Toms & Snare Drum



Program Notes

Bolado is a piece written for large percussion ensemble. This piece was written after a trip to El Salvador and the white knuckle ride from the airport to the center of town. The fast-pace changing of lanes, quick maneuvers to avoid oncoming traffic and pedestrians, and the dance-like movement of the other cars on the road can all be heard in the piece. The B section of the piece is inspired by a brief stop at a traffic light in a poor section of town. The people who reside in this shanty section of town used found metals, glass, and wood to construct their make-shift shelters for the evening. The slow and lamenting section is topped off by the sounds of metals and wood ostinatos in the rhythm section that are meant to represent the construction of these shacks. Suddenly, the car zooms off again toward the city center as we hear a reprise of the main theme. This piece is meant to incorporate percussion instruments that are found in most high schools and middle schools.

Review

Errata

Awards

Commercial Discography

Online Recordings

Recent Performances

To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

Five on 5 - Snare Drum, Electronics - (Collection of 5 Intermediate Solos]
Ghost Garden - Marimba
Bolado - Percussion Ensemble 11
Island Market - Percussion Quartet - Marimba Quartet
Right Track - Snare Drum, Electronics
Stone's Throw - Percussion Quartet - Marimba Quartet
Wheels Up - Drumset, Electronics - (Collection of 5 Solos)
You Can't Get There From Here - Percussion Duo - Vibraphone, Marimba



Additional Resources



References