Difference between revisions of "Fantasy on Japanese Woodprints, op.211 (Orchestra)"
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Player VIII: <br> --> | Player VIII: <br> --> | ||
+ | ==World Premiere Details== | ||
+ | Written for: Yoichi Hiroaka <br/> | ||
+ | Date: 4 June 1965 <br/> | ||
+ | Soloist: Yoichi Hiroaka <br/> | ||
+ | Orchestra: Chicago Symphony Orchestra<br/> | ||
+ | Conductor: Seiji Ozawa<br/> | ||
== Program Notes == | == Program Notes == | ||
− | + | ||
=== Review === | === Review === | ||
This is a piano reduction with solo xylophone part of this work which was originally reviewed in P.N. Vol. IV, #4 (June, 1966), pp. 12, 16. It should prove more accessible in this form; the solo part is now 8 1/2 x ll rather than its previous oversize reproduction. However, the nature of Hovhaness' writing probably will not lend itself well to a piano reduction of the various string effects, etc., but the present form will facilitate rehearsal prior to orchestral performance and may even allow a reasonably musical solo with piano accompanied performance. - Vol. 6 No. 1, 1967<ref>[http://www.pas.org PAS.ORG]</ref> | This is a piano reduction with solo xylophone part of this work which was originally reviewed in P.N. Vol. IV, #4 (June, 1966), pp. 12, 16. It should prove more accessible in this form; the solo part is now 8 1/2 x ll rather than its previous oversize reproduction. However, the nature of Hovhaness' writing probably will not lend itself well to a piano reduction of the various string effects, etc., but the present form will facilitate rehearsal prior to orchestral performance and may even allow a reasonably musical solo with piano accompanied performance. - Vol. 6 No. 1, 1967<ref>[http://www.pas.org PAS.ORG]</ref> | ||
− | |||
== Errata == | == Errata == |
Revision as of 01:56, 28 September 2021
General Info
Year: 1965
Duration: c. 13:50
Difficulty: (see Ratings for explanation)
Publisher: PetersCF
Cost: Score and Parts - $84.00 | Piano version - $24.75
Other Versions
With Piano
With Wind Ensemble
With Percussion Ensemble
Instrumentation
World Premiere Details
Written for: Yoichi Hiroaka
Date: 4 June 1965
Soloist: Yoichi Hiroaka
Orchestra: Chicago Symphony Orchestra
Conductor: Seiji Ozawa
Program Notes
Review
This is a piano reduction with solo xylophone part of this work which was originally reviewed in P.N. Vol. IV, #4 (June, 1966), pp. 12, 16. It should prove more accessible in this form; the solo part is now 8 1/2 x ll rather than its previous oversize reproduction. However, the nature of Hovhaness' writing probably will not lend itself well to a piano reduction of the various string effects, etc., but the present form will facilitate rehearsal prior to orchestral performance and may even allow a reasonably musical solo with piano accompanied performance. - Vol. 6 No. 1, 1967[1]
Errata
Awards
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Bacchanale, op.203a - Percussion Quintet
Dance of Black-Haired Mountain Storm (from Wind Drum), op.183a - Percussion Trio; Flute
Fantasy on Japanese Woodprints, op.211 (Orchestra) - Xylophone; Orchestra
Fantasy on Japanese Woodprints, op.211 (Wind Ensemble) - Xylophone; Wind Ensemble
Koke No Niwa (Moss Garden), op.181 - Percussion Duo; English Horn or Clarinet; Harp
Mysterious Horse before the Gate, op.205 - Percussion Quintet; Trombone
Nagooran, Saint of Oneness, op.237 - Percussion Ensemble; Double Bass or Cello
October Mountain, op.135 - Percussion Sextet
Sextet, op.108 - Percussion Quintet; Violin
Spirit Cat - Marimba; Voice - Soprano
Symphony No. 17 (Symphony for Metal Orchestra), op.203 - Percussion Quintet; Chamber Ensemble - 6 Flutes, 3 Trombones
The Burning House Overture, op.185a - Percussion Quintet; Flute
Additional Resources
References