Difference between revisions of "The Forgotten"
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| − | [[ | + | [[Jessica Flannigan]] |
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== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 2022<br /--> |
| − | '''Duration''': | + | '''Duration''': 00:08:10 <br /--> |
| − | '''Difficulty''': | + | '''Difficulty''': Intermediate <br /--> |
| − | '''Publisher''': [[ | + | '''Publisher''': [[C. Alan Publications]]<br /--> |
| − | '''Cost''': | + | '''Cost''': $48.00<br /--> |
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== Instrumentation == | == Instrumentation == | ||
| − | + | Player 1: [[Crotales]]<br /--> | |
| − | + | Player 2: [[Glockenspiel]] & [[Opera Gong]]<br /--> | |
| − | + | Player 3: [[Vibraphone]]<br /--> | |
| − | + | Player 4: [[Vibraphone]] & [[Opera Gong]]<br /--> | |
| − | < | + | Player 5: [[Marimba]] & [[Crotale]] & [[Crystal Glass]] (F)<br /--> |
| − | Player | + | Player 6: [[Marimba]] & [[Opera Gong]]<br /--> |
| − | Player | + | Player 7: [[Cajón]] & [[Crystal Glass]] (Gb)<br /--> |
| − | Player | + | Player 8: [[Cajón]] & [[Thunder Drum]]<br /--> |
| − | Player | + | Player 9: [[Suspended Cymbal]] & [[Sizzle Cymbal]] & [[Crystal Glass]] (F)<br /--> |
| − | Player | + | Player 10: [[Log Drum]] (2 pitches) & [[China Cymbal]] & [[Marching Machine]] & [[Crystal Glass]] (F)<br /--> |
| − | Player | + | Player 11: Concert [[Bass Drum]] & [[Sizzle Cymbal]] & [[Crystal Glass]] (Gb)<br /--> |
| − | Player | + | Player 12: 4 [[Timpani]] & Large [[Cymbal]] & [[Crystal Glass]] (Gb)<br /--> |
| − | Player | + | Player 13: [[Piano]]<br /--> |
== Program Notes == | == Program Notes == | ||
| − | + | So we have these opera gongs… Any time I walk into any band room, I find the same instruments shoved into the back of the percussion cabinet, or stored high up on a shelf, that haven’t seen the light of day for years. Many of these are instruments left over from iconic percussion ensemble works, and are seldom called for in other literature. Others are amusing instruments and effects that everyone seems to have, but that we rarely get a chance to use. The Forgotten is my endeavor to revive some of these instruments, while grounded in a fairly standard percussion ensemble setup. Mallet parts center on ostinato patterns, putting the moving line in piano and crotales to drive the piece forward, and the large ad libitum segment within the composition allows players to experiment with sounds and shapes, giving these once-abandoned instruments a chance to speak. | |
=== Review === | === Review === | ||
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===Online Recordings=== | ===Online Recordings=== | ||
| − | + | <embedvideo service="youtube">https://www.youtube.com/watch?v=IhR7_TTamSE</embedvideo> | |
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| − | {{ | + | {{Flannigan, Jessica Works}}<br> |
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== Additional Resources == | == Additional Resources == | ||
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== References == | == References == | ||
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| − | + | [[Category: Percussion Ensemble Works]] | |
| − | + | [[Category: Percussion 13 Works]] | |
Latest revision as of 23:11, 11 January 2024
General Info
Year: 2022
Duration: 00:08:10
Difficulty: Intermediate
Publisher: C. Alan Publications
Cost: $48.00
Instrumentation
Player 1: Crotales
Player 2: Glockenspiel & Opera Gong
Player 3: Vibraphone
Player 4: Vibraphone & Opera Gong
Player 5: Marimba & Crotale & Crystal Glass (F)
Player 6: Marimba & Opera Gong
Player 7: Cajón & Crystal Glass (Gb)
Player 8: Cajón & Thunder Drum
Player 9: Suspended Cymbal & Sizzle Cymbal & Crystal Glass (F)
Player 10: Log Drum (2 pitches) & China Cymbal & Marching Machine & Crystal Glass (F)
Player 11: Concert Bass Drum & Sizzle Cymbal & Crystal Glass (Gb)
Player 12: 4 Timpani & Large Cymbal & Crystal Glass (Gb)
Player 13: Piano
Program Notes
So we have these opera gongs… Any time I walk into any band room, I find the same instruments shoved into the back of the percussion cabinet, or stored high up on a shelf, that haven’t seen the light of day for years. Many of these are instruments left over from iconic percussion ensemble works, and are seldom called for in other literature. Others are amusing instruments and effects that everyone seems to have, but that we rarely get a chance to use. The Forgotten is my endeavor to revive some of these instruments, while grounded in a fairly standard percussion ensemble setup. Mallet parts center on ostinato patterns, putting the moving line in piano and crotales to drive the piece forward, and the large ad libitum segment within the composition allows players to experiment with sounds and shapes, giving these once-abandoned instruments a chance to speak.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Cerulean Blue - Vibraphone
Cymplified - Percussion Sextet
Debris Field - Percussion 14
Lion Story - Percussion Quartet
Obsidian - Percussion 12
Quartets That Travel - Percussion Quartet
Spiel (Flannigan) - Percussion Septet
Tension / Release - Timpani
The Forgotten - Percussion 12
They May Be Listening - Percussion 10
Tiny - Percussion Sextet
Tip Toes - Percussion Quartet
Additional Resources